Archive for the ‘culture’ Category
Over the past few years, George Lucas has tried to find a home for his museum, which will house his personal collection of contemporary art and, of course, the deepest collection of Star Wars memorabilia in the world. At first, he tried his backyard, San Francisco, before choosing the city of Chicago.
It turns out the move to Chicago won’t be worry free. Apparently, a coalition of Bears fans will try to stop the Lucas Museum from locating itself next to soldier field. From artnet.com:
The group fighting for maintaining public and open space claims that Lucas’s plans for a 95,000-square-foot cultural institution are in direct violation of a city ordinance that ensures that space adjacent to Lake Michigan be reserved for public use. The other group threatening to sue over the choice of location for the museum—which will house artworks from Lucas’s private collection including pieces by Maxfield Parrish, Alberto Vargas, and Norman Rockwell, as well as Star Wars memorabilia—has a much more practical reason for its opposition: The institution would be built on a site that is currently devoted to two parking lots next to Soldier Field use by Bears fans for pregame tailgating.
This nicely illustrates how organizations fit into urban systems. First, there are the overt politics of an organization. Is it welcome? Does it flaunt public values? Second, how does it fit into the “spontaneous order” of urban politics? While the planner in the mayor’s office probably saw an ugly parking lot, they didn’t see how locals use the space for the very emotionally rooted rituals, like football. Later in the article, various people are quoted as saying that they welcome the Lucas museum, but maybe it should be used to develop low income neighborhoods. Thus, the Lucas Museum has been punted from being part of the “urban engine” of sports and entertainment and thrown into the domain of Chicago race politics. It will be interesting to see if Lucas sidesteps this, or is drawn into another development quagmire.
This week, we’ll have a series of posts dedicated to museums. Some will be personal, others academic. Here’s the line up:
- Tuesday: The trials of the George Lucas museum.
- Wednesday: Why the Rock and Roll Hall of Fame could be better.
- Thursday: The limits of institutional theory as applied to museums.
- Friday: What the Creationism Museum in Kentucky tells us about social movements.
For some, it’ll be better than shark week.
Warning: Some of Koons’ work is NSFW! Not for kids.
Except for the cheesy intro music, I like this review of Jeff Koons’ recent show. I’ve always had this love/hate approach to his work and I think this discussion by art critic Rodrigo Canete helps out. #puppies
A few years ago, I read Creative Life by Bob Ostertag and promised myself that I’d blog it. Sadly, I was waylaid by children, post-modernism, critical realism, and all other manner of things. Today, I shall right that wrong. I love Creative Life. It’s a great book, one that I find fascinating and inspirational.
The book is by Bob Ostertag, a Bay Area electronic musician. I got to know him mainly through his musical works, specifically a series of CD’s called “Say No More.” Really top notch sound collage. I later heard “Sooner or Later.” From the liner notes:
The sounds in this piece come from a recording of a young boy in El Salvador burying his father, who had been killed by the National Guard. There is the sound of the boy’s voice, the shovel digging the grave, and a fly buzzing nearby.
The music is gripping, to say the least.
Creative Life is part autobiography, part political statement, and part manifesto for artists in the Internet age. The early parts focus on becoming an avant garde musician and political activist. Interesting, but much more insightful are sections talking about how to do political art in places with violent histories (e.g., Serbia), the work of gay artist David Wajnarowicz, and his plan to distribute all of his music for free as a liberation from a music industry that is hostile to his work.
I hope my summary indicates the rich range of topics covered in the book, but it certainly underplays the passion he brings to these topics. For me, the discussion of his plan to distribute his work for free is the most passionate. Rather than being a pipe dream, the Internet has now made it possible for artists to develop new ways of presenting themselves and, if they are lucky, they can control how their work reaches the audience. It’s a fight for integrity in a world where that’s hard to come by.