I was recently listening to the podcast, Bad at Sports, which covers the contemporary art world. This episode is a long interview with dealer, writer, and provacteur Matt Gleason. A lot of good stuff, but this caught my ear. Gleason claims that one of the major reasons that Jeffrey Deitch was disruptive as director of LAMOCA was that he pursued “post-curator art.” What does that mean? My translation:
Over the last 50 years, the art world has institutionalized. Museums are run by professionals, artists get MFA, and the art market is centralizing around art fairs. What is so disruptive about Dietch was that rejected the institutionalization of the curator – the people who pick art, stage exhibitions, and manage collections.
In other words, in a world of professionalization, Dietch said: “Screw it, my kid can do this.” And he did it. Dietch fired one of the main curators, had celebrities do shows, and curated many shows himself. Very “post.”
I once asked an art professional what he learned from interacting with Dietch, and he said something like, “I learned that you can hand over an art gallery to teenagers and it’ll work.” Metaphor perhaps, but it captures the spirit. People with degrees don’t have a monopoly over good taste. Gleason notes that this is self-serving. A museum with poor finances, like LAMOCA, might not have the cash for carefully curated shows and it would be easy to have some SoCal celebrity show work. But still, the comment is telling. The art world has institutionalized, but it rests on jello foundations.