I’m in the middle of watching Unbreakable Kimmy Schmidt on Netflix. After watching it, I realized that it’s an extremely rare show that has a cast made up entirely of “subaltern” characters. Normally, you have a show made up of characters from the dominant culture. You also have shows where the cast is made up primarily from one minority or subculture (all Latino characters, or all gay characters).Kimmy is unusual in that it doesn’t seem to rely exclusively on any single cultural group and that means that is doesn’t take much for granted.
For example, you might think that the show is about white urban women, perhaps a goofy Sex in the City. That’s not quit right. Kimmy is a Midwesterner and one who was abducted from her group and isolated. So she doesn’t even feel like a normal Midwesterner any more. Mrs. Voorhees turns out to be a Native American woman who is passing as white. Titus is a gay black man who escaped from the South to New York. “Mississippi was my own bunker.” Perhaps Lydia, the elderly landlord, might be the closest thing to a “standard” character.
The romantic interests tilt the same way. Mr. Voorhees, one of only two tradition straight white men in the show, is barely seen and the other, one of Kimmy’s boyfriends, only appears in a few episodes. The other male romantic interests are also subaltern, such as the Vietnamese immigrant who is afraid of deportation and Titus’ boyfriend, who is a construction worker who just admitted he was gay.
This is not incidental to the show. The lack of a common cultural ground gives the show a chaotic feeling, which is good for comedy. It’ll be interesting to see where the show goes from here.