Archive for the ‘what does this have to do w/ org theory?’ Category
When American Sniper was released, there was a lot of debate about the message of the film. Here is my view. American Sniper is definitely a conservative film, but it is a conservative film that situates itself in a larger conversation.
So what counts as a “conservative film?” There are lots of ways you could approach this, but here is one way. A film is conservative if the plot and treatment of subject matter reflects an important strain of conservative social thought and sentiment. For American Sniper, it is very obvious. The entire film is about a solider who is dedicated to the concept of service. At times, it means serving his country. At other times, it means serving his fellow soldiers. Even after he returns from Iraq, he spends his time with veterans who has disabilities and injuries. Another theme, more subtly stated, is that the service is done with integrity and honor. At no point in the film, is there any sense of exploitation or critique of military service.
For a lot of people, that is enough, but there is more to the film that qualifies the major point. For example, at least two scenes have fellow soldiers openly critique the Iraq mission. One is more direct and simply asks if it is worth it. A second scene has Chris Kyle reunite with a friend who is simply tired of it all: “Fuck Iraq.” An even more profound critique comes from the portrayal of the spouse who must raise their children by herself as he goes through four (!) tours of duty. In the middle of the film, she challenges him about his absence. In the final stages of the film, he shows symptoms of post-traumatic stress syndrome. In the end, he is murdered by another veteran.
American Sniper is by no means an antiwar film. But it is a smart film that, however briefly, acknowledges that war is hell and its cost is high. It is also a film that hints at the savagery of it all, as it shows children being maimed. Even Kyle’s arch-enemy in battle is shown to have a family that deserves our sympathy. In the future, I hope that more films will probe the Iraq War in new and interesting ways.